Music review
Radical Optimism
“Radical Optimism” is solid.
Had Sabrina Carpenter, Tate McRae or any of the other up-and-coming pop girlies released the album, it would’ve been a guaranteed star-maker.
But bona fide dance-floor diva Dua Lipa set too high of a bar for herself with 2020’s “Future Nostalgia,” one of the greatest LPs of the decade so far, for its follow-up to stand out.
Primarily produced by Danny L Harle and Tame Impala’s Kevin Parker, “Radical Optimism” (out Friday) takes listeners on a first-class flight to the Mediterranean, where bottomless Aperol spritzes, white-sand beaches and the hottest people you’ve ever laid eyes on await.
It’s the quintessential summer album Miley Cyrus thought she gave us, the yacht record of the Jonas Brothers’ dreams, the juiciest peach Europe has devoured since “Call Me by Your Name.”
And with just 11 tracks, Lipa makes a case for short albums being cool again, showing the Taylor Swifts, Drakes and Morgan Wallens of the industry that less can be more.
The Grammy winner, 28, breezes through ditties like the sun-kissed “End of an Era” and the criminally fleeting “Anything for Love,” and she soars through mammoth numbers such as the unforgettable ABBA salute “Falling Forever” and the flute-tastic “Maria.”
But some songs fall flat, namely — and bizarrely — the promotional singles “Training Season” and “Illusion,” neither of which fit the record’s warm, seaside vibe.
Even “Houdini,” the nu-disco hit that kicked off the “Radical Optimism” era, feels like a “Future…
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